Circle Image Cropper
Crop any photo into a circle with transparent corners.
Add film grain or digital noise to an image.
Drop an image here, or click to choose one
JPEG, PNG, WebP, GIF or SVG · processed on your device, never uploaded
Add Noise to Image puts grain back into images that are too clean — either for character, or to break up the visible banding that 8-bit gradients produce on cheap screens. Grain size, colour and whether it concentrates in the shadows are all separate controls, which is what separates film grain from digital noise.
Adding noise deliberately sounds backwards until you have seen a gradient band on a cheap screen. A little noise breaks up the flat steps that 8-bit colour produces, and the result reads as smoother than the clean version it came from.
The other reason is character. Digital images are clean in a way film never was, and a small amount of grain restores some of that texture. The controls that matter are the amount, the size of the grain, whether it is monochrome or coloured, and — the one most tools leave out — whether it falls evenly or concentrates in the shadows, which is where real film grain lives.
A few percent of noise dithers the visible steps in skies and flat backgrounds, and reads as smoother than the clean version.
Clumped, midtone-weighted monochrome grain, or even per-pixel coloured noise — they look nothing alike.
Real grain is strongest in the midtones and shadows, and that distribution is available rather than assumed flat.
One pixel reads as sensor noise; two or three reads as film stock.
Noise is exactly what lossy compression handles worst, and the page says to add it last.
Photos, gradients and flat graphics all take grain differently.
Under 10 percent for de-banding; 15 to 30 for a visible film look.
One pixel is digital noise; two or three reads as film.
Real grain is strongest in the midtones and shadows, not in the highlights.
To break up banding in gradients, which is the visible stepping you get in skies and flat backgrounds on 8-bit displays. A little noise dithers those steps and reads as smoother.
Film grain is clumped, weighted toward the midtones and monochrome. Digital noise is per-pixel, even across the tonal range and often coloured. Both are here as separate settings.
Yes, sometimes considerably. Noise is high-frequency detail, which is exactly what JPEG and WebP compression is worst at storing. Add it last, and expect the file to grow.
Above about 30 percent it stops reading as texture and starts reading as a broken sensor. For de-banding, 5 to 8 percent is invisible and does the job.
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