Photo GPS Location Finder
Find where a photo was taken, from its own metadata.
Turn a photo black and white with proper luminance weighting.
Drop an image here, or click to choose one
JPEG, PNG, WebP, GIF or SVG · processed on your device, never uploaded
The Grayscale Image Converter uses Rec. 709 luminance weighting rather than a flat average of the channels, which is why skies stay dark and foliage stays light instead of both turning to mud. A channel mixer then lets you push the weighting deliberately, the way a coloured filter did on black and white film.
Averaging the red, green and blue channels is the naive way to make a photograph grey, and it is wrong: the eye is far more sensitive to green than to blue, so an average turns blue skies into mud and green foliage into grey soup.
The default here uses Rec. 709 luminance weighting, which matches how a monitor and an eye actually work. Beyond that, a channel mixer lets you push the weighting deliberately — heavier red to lighten skin and darken skies, heavier blue for a cold, high-contrast look. That is what a colour filter did on black and white film, and it is still the difference between a flat conversion and a good one.
Red 21%, green 72%, blue 7% — the proportions the eye actually uses, not an unweighted average.
Push red up to lighten skin and darken sky, or blue up for a cold, hard result — the film filter effect, as sliders.
Luminance, red filter, blue filter and high contrast cover the looks people actually want.
Black and white lives or dies on contrast, so it is on the same page rather than a separate step.
A single channel of variety compresses better, particularly in PNG — a useful side effect.
Any colour image. The default conversion appears immediately.
Luminance is the neutral choice; red filter, blue filter and high contrast are the classics.
Push red up to lighten skin and darken sky, or blue up for a colder, harder result.
Fine-tune the contrast, then save the black and white version.
Because the eye weights them very differently — roughly 21 percent red, 72 percent green and 7 percent blue. An unweighted average makes blues far too light and greens far too dark.
It changes how much each colour contributes to the grey value. Raising red lightens skin and reddens objects while darkening a blue sky, which is exactly what a red filter did on film.
A little in JPEG and considerably in PNG, since the image only needs one channel of variety. The saving is a side effect, not the point.
No. Grayscale discards the colour information entirely. Keep the original file if there is any chance you will want it back.
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