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Darken the edges to draw the eye to the centre.
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The Vignette Effect darkens the edges of a frame to push the eye toward the centre. The controls are the size of the clear area, the softness of the falloff and the strength at the corners — and the centre can be moved off-axis, which matters because a centred vignette on an off-centre subject darkens exactly the wrong thing.
A vignette darkens the corners of a frame, which pushes the eye toward the middle. It began as a lens defect and became a technique because it works: the effect is almost invisible when done well and unmistakable when overdone.
The controls are the size of the clear centre, how softly the darkening falls off, and how strong it gets at the corners. The centre can be moved off-axis when the subject is not in the middle, and the shape switched between elliptical and rectangular — the latter suits screenshots and product shots where a round darkening looks odd. A white vignette is also available for a faded, high-key look.
Put the clear area over your subject rather than over the middle of the frame.
A round vignette suits photographs; a rectangular one suits screenshots and product shots.
Fading the corners toward white gives a high-key look that suits soft portraits and white-background product shots.
Starts at the settings that read as light rather than as a visible dark ring.
Opens around 25 percent, because the best vignette is one nobody notices.
Portraits and single-subject shots benefit most.
A large soft vignette is the one people do not notice. That is the goal.
Put the clear area over the subject rather than the middle of the frame.
Around 20 to 35 percent. Beyond 50 it announces itself.
Strong enough to guide the eye and weak enough that nobody notices it — usually 20 to 35 percent with a soft falloff. Anything you can clearly see as a dark ring is too much.
Yes. A white vignette fades the corners toward white, which gives a high-key, faded look that suits soft portraits and product shots on white.
No. Move the clear area over your subject. A centred vignette on an off-centre subject darkens exactly the thing you wanted to emphasise.
The falloff is too abrupt. Increase the softness so the darkening blends gradually rather than starting at a visible edge.
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