Image Splitter
Cut a photo into an even grid of tiles and download a ZIP.
Give a photo a warm, aged sepia tone.
Drop an image here, or click to choose one
JPEG, PNG, WebP, GIF or SVG · processed on your device, never uploaded
The Sepia Filter applies the classic warm brown tone, but with the strength control most tools leave out — a partial application keeps some original colour and reads as a grade rather than as a filter. Optional grain and vignette complete the aged look, both starting low because turning them up is the fastest way to look cheap.
Sepia is a photographic accident that became a style. Nineteenth-century prints were toned with pigment from cuttlefish ink to make them last longer, and the resulting brown cast is now shorthand for age.
The classic sepia matrix is here as the default, but so is the strength control that most tools omit — a fifty percent sepia over the original colour usually reads far better than the full effect, which flattens everything. Optional grain and a vignette complete the aged look; both are subtle by default because the fastest way to make a photograph look cheap is to turn them up.
Around 60 to 80 percent keeps some original colour showing through, which reads far better than the full effect.
Shift warmer toward classic brown or cooler toward a selenium-print look.
Both included and both conservative by default, because overdoing either is what makes a vintage filter obvious.
Every change redraws immediately, so the balance is judged by eye rather than by number.
Nothing is uploaded — the whole effect is canvas pixel work in your browser.
Portraits and architecture suit sepia best.
Around 60 to 80 percent keeps some of the original colour and looks less like a filter.
Shift the tint warmer for classic brown, cooler for a selenium-print feel.
A little of each sells the age. Keep both low.
A warm brown around #704214, applied as a tone over the image luminance. The standard matrix pushes red hardest, green moderately and blue least, which produces that cast.
Rarely. A full application flattens the image into a single hue. Around 60 to 80 percent keeps some original colour showing through and reads as a deliberate grade rather than a filter.
Less than you think. Grain at 5 to 12 percent suggests film; above 25 it looks like a broken sensor rather than an old photograph.
No. Both discard the original colour, but sepia then tones the result brown. A monochrome image toned any single colour is technically a duotone.
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