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Wash an image with a single colour at any strength.
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Tint Image lays a single colour over a photograph at a strength and blend mode you choose. The mode is what separates a grade from mud: overlay and soft light keep the contrast, multiply darkens as it tints, screen lightens. A range control restricts the tint to shadows, midtones or highlights for split-toning.
Tinting is the quiet cousin of the duotone: one colour laid over an image at a strength low enough that the photograph survives it.
What separates a good tint from a muddy one is the blend mode. A normal overlay at low opacity washes out the contrast; multiply darkens as it tints, which suits warm colours; screen lightens, which suits cool ones; and overlay and soft light keep the tonal range intact while pushing the colour, which is what a grade actually wants. All are available, along with a monotone mode that maps luminance onto the colour entirely.
Multiply, screen, overlay and soft light, not a single opacity slider that washes out the contrast.
Tint only the shadows or only the highlights, which is how split-toning works and is far subtler than tinting everything.
Maps luminance onto the colour entirely when you want the full effect rather than a wash.
Every colour and mode change redraws immediately, which is the only way to judge a grade.
The page says which mode suits which colour, so the choice is informed rather than trial and error.
Any photo or graphic.
Warm for a cosy look, cool for a clinical one.
Overlay and soft light keep contrast; multiply darkens; screen lightens.
Under 40 percent for a grade, higher for a deliberate wash.
Overlay or soft light for a colour grade that keeps the contrast. Multiply when you want the tint to darken as it colours. Screen when you want it to lighten. Normal only for a deliberate flat wash.
A duotone maps luminance onto a ramp between two colours and discards the original. A tint keeps the original image and lays one colour over it, so the photograph survives underneath.
Under 40 percent for something that reads as a grade rather than a filter. Above about 70 you are effectively making a monotone, which the monotone mode does more cleanly.
Yes — the range control restricts the tint to shadows, midtones or highlights, which is how split-toning works and is far more subtle than tinting everything.
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