Web Safe Colors Chart
The 216 web-safe colours, and why they no longer matter.
An interactive colour wheel with every classical harmony.
The colours appear here
The Color Wheel is an interactive wheel with every classical harmony built in — drag a point and the scheme follows the rule, in either the RGB wheel a screen displays or the RYB wheel traditional colour theory uses.
The colour wheel is the oldest tool in colour theory and still the fastest way to find colours that go together. Drag a point around it and the harmony you have chosen follows, with every colour in the scheme updating as you move.
All the classical relationships are here: complementary at 180 degrees, analogous within 30, triadic at 120, tetradic and square, and split complementary. Each one is a fixed geometric relationship, which is exactly why they work — the colours share a formal structure whether or not anyone can name it.
Saturation is the radius and lightness is a slider, so you can explore the whole solid rather than the ring alone, and each scheme is previewed as a real layout rather than a row of squares. Both wheels are available: the RGB wheel a screen actually displays, and the RYB wheel from traditional colour theory, which puts the complement of red at green rather than cyan and is what a painter or a printer means by the term.
Complementary, analogous, triadic, tetradic, square and split complementary, each a fixed geometric relationship.
RGB for screens, where red’s complement is cyan, and RYB for paint and ink, where it is green.
Saturation is the radius and lightness is a slider, so you can explore past the outer ring.
Each scheme shown as real elements rather than a row of squares, which is where balance becomes visible.
One colour, or the whole harmony as CSS.
Complementary, analogous, triadic, tetradic, square or split complementary.
Around the wheel for hue, outward for saturation. The other points follow the rule.
The wheel is one slice of the colour solid; the slider moves through the rest.
Copy any colour, or the whole harmony as CSS.
RGB if the output is a screen — it is what the display actually does, and its complements are the ones that produce true grey when mixed as light. RYB if you are working with paint or ink, or talking to someone trained in traditional colour theory.
Analogous. Colours within 30 degrees of each other always look coherent, because they share most of their character. It is also the least interesting, which is why a single complementary accent is usually added on top.
Square uses four hues evenly spaced at 90 degrees. Tetradic uses two complementary pairs that are not evenly spaced, which gives one dominant direction rather than four equal ones and is usually easier to balance.
No. They guarantee a structural relationship between hues, which is a good start. Whether the palette works still depends on lightness, saturation and how much of each colour you use — a triadic scheme in three equal amounts usually looks like a toy.
What people who use the Color Wheel think of it. Reviews come from visitors and are posted as written.
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